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ASCAP, BMI, SESAC, - THE WHOLE SCAM AND HOW IT WORKS!

Back in 1940 ASCAP's (American Society of Composers, Authors and Publishers) abuse - Clique Paying, Price Fixing and other 'honest' endeavors of such Court-protected thieves - began to wear thin on the Broadcasters. Most radio stations at that time were single company business ventures although Networks were in existence. ASCAP's extortion policies began to put a real economic crimp into those Broadcasters, large and small alike, so the fun began. They first just flatly refused to play anything that wasn't Public Domain and told ASCAP to go straight to hell. Their actions created what was called "The Jeannie With The Light Brown Hair era" named after one of Stephen Foster's most popular songs.

 

 

 

ASCAP, BMI, SESAC THE GRAND LIARS! EXECUTIVE PRODUCER
VS 'PAYING FOR PUBLISHING'

ASCAP, BMI and SESAC have shot down more legitimate record deals with their 'paying for publishing' lies than all the street cons, preachers and politicians combined. Because record investments are often substantial those new to the Industry will contact ASCAP, BMI or SESAC for information. What they get is The Great Grand Series of Defamations and Damned Lies designed to eliminate any and all competition that might infringe on their own respective Pay Cliques!

 

 

 

ASCAP, BMI, SESAC
AN OPEN CONSPIRACY!

ASCAP = American Society of Composers, Authors and Publishers. One of the Big Three SCAMS in the Recorded Music Industry - reputedly to license Public Performance of Member's works and properties and pay them on a "fair and equitable" basis. And that part is more laughable than all the comedians who ever lived!